{"id":12066,"date":"2013-03-11T18:29:26","date_gmt":"2013-03-11T16:29:26","guid":{"rendered":"http:\/\/www.grafikerler.org\/portal\/?p=12066"},"modified":"2013-03-11T18:29:59","modified_gmt":"2013-03-11T16:29:59","slug":"modernlik-fransa-ve-turkiyeden-manzaralar","status":"publish","type":"post","link":"https:\/\/www.grafikerler.org\/portal\/modernlik-fransa-ve-turkiyeden-manzaralar.html","title":{"rendered":"Modernlik Fransa ve T\u00fcrkiye\u2019den Manzaralar"},"content":{"rendered":"<p><strong>16 Ocak &#8211; 16 May\u0131s 2013<\/strong><\/p>\n<p><strong>Modernlik?\u00a0<\/strong><strong>Fransa ve T\u00fcrkiye\u2019den Manzaralar\u00a0<\/strong>sergisi, modernle\u015fmenin g\u00fcn\u00fcm\u00fcz sanat\u0131na olan etkilerini ara\u015ft\u0131r\u0131yor. Sergi, sanat\u00e7\u0131lar\u0131n modernlik projeleriyle hesapla\u015fmalar\u0131n\u0131 ve bug\u00fcn hala g\u00fcndemde olan modernlik olgusunu ele al\u0131yor.<\/p>\n<p>Sergideki \u00e7al\u0131\u015fmalar g\u00f6rsel sanatlar\u0131n bir yandan ele\u015ftirdi\u011fi di\u011fer yandan sonsuz bir ara\u015ft\u0131rma imkan\u0131 olarak g\u00f6rd\u00fc\u011f\u00fc modern hayat\u0131n dinamiklerine odaklan\u0131yor. D\u00fcnya k\u00fcreselle\u015fmeyle farkl\u0131, derin ve karma\u015f\u0131k ili\u015fkilerinin ya\u015fand\u0131\u011f\u0131, yeni teknoloji ve sosyal medya kullan\u0131m\u0131n\u0131n girift yap\u0131lar olu\u015fturdu\u011fu bir d\u00f6nemden ge\u00e7iyor.\u00a0<strong>Modernlik?\u00a0<\/strong><strong>Fransa ve T\u00fcrkiye\u2019den Manzaralar<\/strong>\u00a0ise, g\u00fcn\u00fcm\u00fcz\u00fcn g\u00f6reli y\u00f6ns\u00fcz d\u00fcnyas\u0131nda modernli\u011fin geride b\u0131rakt\u0131\u011f\u0131 tortular\u0131n hayat\u0131m\u0131za nas\u0131l s\u0131zd\u0131\u011f\u0131n\u0131 hat\u0131rlatmaya \u00e7al\u0131\u015f\u0131yor. T\u00fcrkiye&#8217;den ve T\u00fcrkiye\u2019nin modernle\u015fme ser\u00fcvenindeki rol modellerinden biri olan Fransa\u2019dan sanat\u00e7\u0131lara yer veren sergi,\u00a0modernli\u011fin\u00a0farkl\u0131 bi\u00e7imlerde s\u00fcrekli kar\u015f\u0131m\u0131za \u00e7\u0131kan kal\u0131nt\u0131lar\u0131n\u0131n bug\u00fcn ve gelece\u011fi nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrebilece\u011fini tart\u0131\u015fmaya a\u00e7\u0131yor.<\/p>\n<p><strong>Sanat\u00e7\u0131lar:<\/strong>\u00a0Nevin Alada\u011f, Fikret Atay,\u00a0Kader Attia,\u00a0Ay\u015fe Erkmen,\u00a0Cyprien Gaillard,\u00a0Thomas Hirschhorn,\u00a0Pierre Huyghe,\u00a0Chris Marker, Sarkis, Hale Tenger, Nasan Tur<\/p>\n<p>&nbsp;<\/p>\n<table cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/www.istanbul.net.tr\/Etkinlik\/Mekanlar\/tiyatro-sahneleri\/istanbul-modern\/253923\/1006\">\u0130stanbul Modern<\/a><\/p>\n<div><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>Tarihler:\u00a016 Ocak 2013 \u00c7ar\u015famba\u00a0~\u00a016 May\u0131s 2013 Per\u015fembe<\/p>\n<div><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>Adres:\u00a0Meclis-i Mebusan Cad., Liman \u0130\u015fletmeleri Sahas\u0131, Antrepo 4, 34433, Karak\u00f6y, 34433\u00a0\u00a0Beyo\u011flu\u00a0\u0130stanbul<\/p>\n<div><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>Telefon:\u00a00212 334 73 00<\/p>\n<div><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>Web Adresi:\u00a0<a title=\"http:\/\/www.istanbulmodern.org\" href=\"http:\/\/www.istanbulmodern.org\/\" target=\"_blank\">http:\/\/www.istanbulmodern.org<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>16 Ocak &#8211; 16 May\u0131s 2013 Modernlik?\u00a0Fransa ve T\u00fcrkiye\u2019den Manzaralar\u00a0sergisi, modernle\u015fmenin g\u00fcn\u00fcm\u00fcz sanat\u0131na olan etkilerini ara\u015ft\u0131r\u0131yor. Sergi, sanat\u00e7\u0131lar\u0131n modernlik projeleriyle hesapla\u015fmalar\u0131n\u0131 ve bug\u00fcn hala g\u00fcndemde olan modernlik olgusunu ele al\u0131yor. Sergideki \u00e7al\u0131\u015fmalar g\u00f6rsel sanatlar\u0131n bir yandan ele\u015ftirdi\u011fi di\u011fer yandan sonsuz bir ara\u015ft\u0131rma imkan\u0131 olarak g\u00f6rd\u00fc\u011f\u00fc modern hayat\u0131n dinamiklerine odaklan\u0131yor. D\u00fcnya k\u00fcreselle\u015fmeyle farkl\u0131, derin ve karma\u015f\u0131k [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12068,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[97,78],"tags":[98,100,99],"_links":{"self":[{"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/posts\/12066"}],"collection":[{"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/comments?post=12066"}],"version-history":[{"count":3,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/posts\/12066\/revisions"}],"predecessor-version":[{"id":12070,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/posts\/12066\/revisions\/12070"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/media\/12068"}],"wp:attachment":[{"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/media?parent=12066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/categories?post=12066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.grafikerler.org\/portal\/wp-json\/wp\/v2\/tags?post=12066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}